Ritchie’s work, he was revisiting his old Lock, Stock, and Two Smoking Barrels stylings with The Gentlemen, an agreeably complicated but needlessly crass comic crime saga that came out about six weeks before the end of the world. But for a year now, critics have had almost all viewing relegated to at-home viewing via fuzzy links-so Wrath of Man playing loud and looming at a Manhattan screening room perhaps made the film feel a bit more significant than it actually is. That’s the only way anyone can see the movie for the foreseeable future. These are strange times indeed, when I feel compelled to disclose that I saw Guy Ritchie’s new film Wrath of Man (in theaters May 7) on an actual big screen.
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